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Piracy
Deliberate Infringement of a Copyright


Piracy Glossary | Piracy FAQ | References & Links

Introduction

The term piracy is generally used to describe the deliberate infringement of a copyright on a commercial scale. Compact disc piracy became a global problem in the 1990’s because the technology of duplicating CDs developed rapidly, making CDs a quicker, easier, and cheaper product to duplicate than most other forms of sound recording. The pirates or counterfeits are shipped around the world through complicated distribution channels for sales, making the place of origin difficult to determine. The sales of these pirates not only infringe upon the rights of the artist involved, but also create unfair competition at every level of the industry supply chain. As of 1998, pirate sales made up 33% of global music sales.


MP3 and Internet Threat
MP3 has replaced ''sex" as the most looked for word on the Internet. But, what exactly is an MP3, and how much of a threat is it to the music recording industry?

MP3 (MPEG-1, Layer 3) is a codec, or compression/decompression format, that enables users to download and save their favorite music tracks, record from their CDs, or share these recordings with friends online. The technology was first introduced in 1993, and recently more and more users are using this simple technology to trade their music freely and often illegally. The RIAA (Recording Industry Association of America) unsuccessfully sued Diamond Multimedia for their creation of a portable MP3 player, the Rio player, because it violated the Audio Home Recording Act.

But, MP3 is not the only digital audio format on the market. Others include Liquid Audio and a2b, more advanced MPEGs developed by AT&T and Microsoft.

Although more recent models follow certain format standards developed by the Secure Digital Music Initiative (SDMI) founded by members of the RIAA, these standards might have come too late. Music is spreading itself into more and more mediums that are becoming harder and harder to control. Ericsson has even developed a cell phone with an MP3 player attached that can connect to the Internet and play music through a headset.

The Stats
IAsia and Eastern Europe continue to be major production centres of pirate CDs. Hong Kong has seen the sharpest capacity increase, from 600 million units in 1998 to 2 billion units in 1999. In addition, there is growing production in Russia, Ukraine and the rest of the CIS. Fuelled by this increasing capacity, piracy of optical discs (all formats) grew significantly in 1998, up by over 60%. Video CD (VCD) and CD-ROM piracy was particularly rampant, especially in Asia.

Industry Reaction & Strategies
Piracy on the Internet has become one of the biggest problems facing the music industry today. On the other hand, the Internet provides a groundbreaking new medium in which the music industry can develop and grow. If key players in the music industry are able to use this medium wisely, they will be able to profit from new growth. Members of the Big Six have been diligently working on strategies to profit from the internet rather than lose from internet piracy.
The Bright Side
Music corporations are looking at the bright side of the internet- the huge profits to be made- and limiting the negative side- where piracy falls into play. The EMI 1999 annual report sums up this relationship by stating, "Indeed, music and the Internet were made for each other." They offer various advantages to be had from Internet use. First, the Internet allows them greater access and knowledge of the people who buy and listen to music. This allows greater flexibility in what the music industry can offer and the speed with which they can offer it. Also, the Internet is a creative outlet for artists and allows them to be more in touch with their audience. In a marketing perspective, the Internet allows for a direct and interactive access to customers allowing for greater advertising and exposure. EMI attracts more than 3 million visitors a month to its 45 websites around the world. Not only can companies build on their websites to attract more customers, but they can also use commercial links with other companies such as Microsoft, AOL, Amazon.com, and the millions of music outlets for recorded music. Further investment in R&D, especially in digital downloading technology and human resources, will help these companies be competitive in the Internet era.
Protection from the Pirates
To harness the market power of the Internet, though, the music industry must also come together to properly protect their copyrights and those of their artists. This means investing in solutions to Internet piracy and new copyright laws.
Before the Internet
Before the rise of the Internet, these copyright laws were useful to solve piracy problems because the piracy could be materially detected. Law enforcement agencies had physical evidence from things like bootleg CD’s to arrest the offenders and enforce the law. In 1976, the Copyright Revision Act made the "willful infringement for commercial advantage or private financial gain" of recorded music not even a felony. Punishment included one year in jail and $10,000 for the first offense. As piracy grew more and more, the government and the music industry realized that these remedies were not enough; people were still willing to risk such a small punishment for such a profitable business. In 1982, piracy became a felony. In 1992, the stakes went up to 5 years in prison and $250,000 for individual offenders of $500,000 for organizations. If someone was caught with 10 copies with a retail value of $2,500 or more, they were liable for committing a felony. Yet, the International Federation of Phonogram Industries (IFPI) recorded an estimate of $2.1 billion in the world piracy market, with Russia and China taking the lead in the industry. In 1996, the U.S. even threatened trade sanctions with China if they could not enforce their piracy laws more effectively. Changes and revisions to copyright laws are constantly being made, especially with the rise of the Internet.
New Measures to Limit Internet Piracy
A report by Andersen Consulting estimated over 1 billion music downloads in 1999. MP3 has replaced sex as the most searched for word on the Internet. What can the music industry do to limit the hazardous effects of this new industry?

----- The RIAA, funded by major players in the music industry, tracks Internet sites offering illegally recorded music to download or listen to by using an electronic Webcrawler to target these sites.

----- RIAA loses case begun in 1998 against Diamond Multimedia company. Diamond was charged for violating the Audio Home Recording Act by creating their portable MP3 recording devices, the Rio, which allows music to be illegally recorded.

----- Sony Music Entertainment has joined Microsoft in its new streaming-media platform, Windows Media Technology 4.0, including MS Audio, a new rival for MP3 that includes security features.

----- Real Jukebox was introduced at the same time as MS Audio by IBM, RealNetworks, and Xing Technology. The Jukebox can play a variety of audio types from MP3 to its own G2 format. It can record from a CD to hard drive, making it easier for consumers to distribute and record from their own collections. This technology has security features as well.

----- Secure Digital Music Initiative (SDMI), created by RIAA members, creates cumbersome security features on MP3 and other digital audio formats on the market such as Liquid Audio and a2b. SDMI is able to provide these features because most of these new formats are in accordance with their standards.

SDMI is supported by over 110 technology companies and most major recording labels. Their goal is to research and establish a secure format and to create a better, more competitive and secure technology than the MP3 to lure customers away from piracy. They compete with other vendors to develop a new technology with a superior audio quality and a faster downloading time.

The problem with these new security features is that they might have come too late to put MP3 and other audio players back in the bottle. Yet, the struggle is not over yet for research and development into new areas in the market.

Piracy Glossary | Piracy FAQ | References & Links

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| The Beginning of Recorded Music (1800's) | 1900's-1920's | 1930's-1950's |
| 1960's-1980's | 1990's | Piracy | Supply Chain |
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2008 Computer DJing Industry Survey
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2008 Computer DJ/VJ/KJ Summit
Special announcement... The 2008 DJ Summit will be hosted where it all began Atlanta, Georgia. This years event will be groundbreaking for the novice and experienced Disc Jockey. Anyone “already” or “planning” to mix mp3s or other music file format with hardware, software or combination of both. Block your schedule and don't forget to attend the Monday evening " Weddings Ground-0" seminar to discover the plans for the 2009 Summit.

NOTICE: The 2008 Summit is being held in a High-Tech room where you can plug-into the live experience. This is a full extended day of seminars. Sundays Atlanta-Ground-0 Experience is a day of networking and touring landmark locations of the city.


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August 20, 2007


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